![]() It has built-in functions to process these colors without having to keep track of all the variations. Not a big deal, really, but if I want to add a secondary button, this time based on $ol-blue, I’ll need to go back into the color picker once again and figure out the new values.Īnd each of these buttons needs a hover state, too! The hover highlights and shadows are going to be lighter than those on the normal button, so do I declare four more constants, or do I just fill these values in once and hope I don’t need to use them again later?Īs it turns out, Sass can do this for me. I opened up a color picker and manually picked variations of the swatch. While the button color is based on one of my brand colors, two of these colors (my highlight and shadow) are not in my Sass constants. Traditionally, I would write this in CSS like so: The highlight is a lighter version of the swatch and the shadow is a darker version. The button is based on the color I dubbed $toolbox. I wanted to give my button a sense of clickability, which I can easily achieve with a simple gradient. Hypothetical site for Gullfoss Travel Supply Co. Variations of my brand colors exist throughout this site in different (lighter) tints and (darker) shades. The concept behind this hypothetical site is to revitalize well-designed luggage labels that show off where you’ve travelled around the world. ![]() Now that I’ve established my brand colors, I’ve used them to build a website for Gullfoss Travel Supply Co. The first thing I’m gonna do is name the colors: $toolbox and $ol-blue. We’ll create a new brand and choose two colors to represent it. Other preprocessors probably have similar functionality, but I’ll leave you to do that research on your own. There are several out there to choose from, but my examples rely on Sass. CSS variables are on the horizon, and they’ll help clarify which color is which with natural language-but what if we don’t actually have a name for our color? That’s the kind of power CSS preprocessors give us. That means that, unless you’re using prefabricated named colors, your style sheet fills up with multiple instances of cryptic hex codes or ambiguous HSL numbers. Start with the color declaration: you have to know the exact values of your colors in order to use them. Color mixing unlocks our inner Monet and a whole new world of nuance and artistry.Lightening, darkening, and scaling give us fine-grained flexibility over palettes. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |